Ford On Film

Chronicles of a silver screen addict

Is Life Is Beautiful the worst film ever made?

I have seen a lot of bad films in my time. Cinematic flops and failures, each terrible in their own way. Directors who didn’t give a shit, actors clearly working for the pay check, sub-par screenplays, awful adaptations, tiny budgets, inconceivably huge budgets. I have seen Joel Schumacher’s Batman and Robin, a bloated, childish blockbuster that almost sunk the Batman franchise and gave us some of the laziest performances in film history. I have seen Peter Jackson’s The Lovely Bones, an adaptation that skipped out everything so wonderful about the original book to focus on nice visuals and nothing else. I have seen the I Spit On Your Grave remake, a worthless remake of a worthless film featuring nothing but unpleasant gore and misogyny. I’ve sat through lazy Adam Sandler comedies, A Serbian Film, and a whole lot of boring.

However, I can’t remember the last time I saw a film quite as wrong as Roberto Benigni’s 1997 holocaust drama-cum-slapstick comedy Life Is Beautiful. Clearly, this is a somewhat controversial opinion. The film infamously won Benigni the Academy Award for Best Actor; he reacted by running to the stage, manically mugging around the stage and generally behaving like an arse, suffering perhaps the quickest backlash any artist has faced as people realised, “Hey, maybe this guy really is as annoying as we suspected”.

Life Is Beautiful 1

Life is Beautiful was the winner of three Academy Awards overall, being handed the prize for Best Foreign Language Film and Best Dramatic Score. Alarming, the film was nominated for Best Picture. Most people point to Driving Miss Daisy winning Best Picture as a sign that the Academy sometimes gets it wrong. The fact that Life is Beautiful was even nominated is strong evidence that the voters have lost any sense of the plot.

The very idea of a holocaust drama-cum-slapstick comedy should set alarm bells ringing. In 1972, legendary American comedian Jerry Lewis starred in The Day The Clown Cried, about a circus clown responsible for leading the children of Auschwitz into the gas chambers. Sounds horrible? Maybe that’s why it’s never been released. The film was notoriously so awful, it has only been seen by an unlucky few. Harry Shearer, someone unfortunate enough to have seen this debacle, described it as:

“…So drastically wrong, its pathos and its comedy are so wildly misplaced, that you could not, in your fantasy of what it might be like, improve on what it really is.”

When Jerry Lewis made a slapstick comedy set in the Holocaust, it was sealed away in a vault, declared unfit for human consumption. When Roberto Benigni made a slapstick comedy set in the Holocaust, it won three Oscars. Lewis must have been furious.

Life Is Beautiful 2Watching the first half of Life Is Beautiful, you’d probably struggle to believe it’s even a film about the Holocaust. Other than a few token references to the future plight of the Jews and a few shady Germans hanging around Italy, a staggering sixty minutes of the film is spent on simply hanging around with Benigni’s Guido, an irritatingly positive man who gets into an interminable amount of scrapes and capers, many of which should see him arrested and utterly pasted by the police. Sadly, it seems 1940’s-era Italian policemen were all incompetent, allowing Guido to sneak into a school to woo his future wife (played by Benigni’s real life wife, the charisma-free Nicoletta Braschi), steal people’s bikes, accidentally pose as royalty while driving an out-of-control car, and all other manner of twattery that made me absolutely detest him after about fifteen minutes. The first half is so irrelevant, so overwhelmingly whacky and frantically unfunny, it may as well be called Mr. Bumble’s Bicycle. Or Mr Bean’s Roman Holiday.

You know a Holocaust film is bad when you’re actively counting down the minutes until the Nazis to come and take the leading character away, but that’s a fair representation of how rubbish Academy Award-winning Roberto Benigni is. It’s baffling how someone so clearly influenced by the legendary Charlie Chaplin has missed everything that makes Chaplin so loved. Whereas Chaplin was the scrappy underdog who rarely got the happy ending, Benigni’s Guido is loved by everybody and happy about everything. He even gets the girl with no difficulty, something Chaplin famously didn’t in City Lights. Watching Life Is Beautiful, I was reminded of Blackadder’s quote about Charlie Chaplin:

“To Mr. Charlie Chaplin, Sennet Studios, Hollywood, California. Congrats stop. Have found only person in world less funny than you stop. Name Baldrick stop. Signed E. Blackadder stop. Oh, and put a P.S.: please, please, please stop.”

Substitute ‘Charlie Chaplin’ for ‘Robert Benigni’ and you’ve got a reasonably mild version of the letter I would like to pen to Mr. Benigni.

Life Is Beautiful 3After Benigni marries the girl of his dreams, we get a time jump, and settle back in to find Guido now owns a book shop and has a young son, Giosué (played pretty decently by Giorgio Cantarini). The Nazis are now a much bigger force to be reckoned with, and it isn’t long before Guido and his family are carted off in the back of a truck and sent to a concentration camp. This is the point where the film goes from boring and annoying to really quite troublesome.

Guido quickly gets the idea to convince his son that he camp is a game, and the prize is a tank. This involves him covering up every traumatic incident in the camp as just another task, designed to win more points. This isn’t in itself a terrible idea, but Benigni doesn’t have the depth or range to give this any real feeling. Mugging for Italy, he spends his time in the camp clowning around, making his son laugh and getting other suffering inmates to go along with the joke. I understand the intention behind the performance, but it just does not work in the context of a Holocaust drama.

Even the best sequence in the film leaves a horrible aftertaste. Guido pretends to know German so he can translate for a Nazi officer, instead reciting improvised rules to his son and the other prisoners. It’s surprisingly charming, Benigni finally appearing as likable as he does in his own head. A few minutes later, however, I realised that what Guido actually does in this scene; he conceals valuable information from the other men in the camp, to protect his own interests. At least one of these men probably died because of the information they didn’t receive from Guido in this scene. Life Is Beautiful doesn’t show that happening, however, because that would suggest Guido isn’t a lovable hero/greatest man alive.

Life Is Beautiful 4The concentration camp scenes are mostly poor and/or ineffectual because Benigni never once manages to show the real horrors, or even the real consequences of actions. In one particularly rubbish scene, Guido hijacks the camp broadcast system to deliver a message of love to his wife, over in another camp. The Nazis of Life Is Beautiful give Guido a playful slap on the ear and send him back to work (presumably while calling him a “cheeky little scamp” in German). If a Jewish character in Schindler’s List had performed the same action, it would have been quickly followed by Ralph Fiennes’ Amon Goeth shooting them in the neck.

There is a reason for these unbelievable, false scenes. The opening narration describes the film as a “fairytale”, and this is obvious from the completely unrealistic Holocaust depiction. The problem is, what is the point in making a Holocaust film if you want to avoid anything too upsetting or brutal? To present a fairytale, happy-go-lucky version of perhaps the most horrific event of the last century is to create an offensively meaningless film. For a two hour film, there is only a single scene which shows a genuinely disturbing sight (Guido comes across a pile of dead bodies), and this scene doesn’t work because it comes in-between more and more wearying slapstick.

I will give Benigni credit for one thing, and that’s the ending twist, which is surprisingly effective. Captured by a Nazi, Guido bumbles and goose steps for his in-hiding son to make him laugh as he disappears around a corner. A gunshot rings out. It’s the last time we see Guido. For a character I utterly detested, I was almost moved to see Guido finally killed off, because it felt like an honest bit of filmmaking and an accurate portrayal of the Holocaust. Of course, this was swiftly followed by a happy ending as young Giosué discovers the war is over and gets to ride on a tank. Wonderful.

Life Is Beautiful 5I almost feel bad hating this film as much as I do. Clearly it struck the right chord with some people, given its box office success and numerous awards. Maybe I’m too cynical; it’s world view is overwhelmingly positive, and something I couldn’t get on board with from the very beginning. I understand what Benigni is trying to do, and I can see why he chose to make certain directorial decisions the way he did. I don’t necessarily think he had bad intentions, either; he wanted to spread a positive message and make a hopeful film. The problem is, Life Is Beautiful is so appallingly misguided, every step of the way, it’s practically a non-starter. A film this wrong on so many levels can only be the result of somebody writing, directing, and starring in their own film. Perhaps if this felt more like a real Holocaust drama, and less like ‘The Roberto Benigni Clowning Around Hour’, it could have worked.

Is Life Is Beautiful the worst film ever made? It’s a tough one. There are definitely things that work in its favour. I certainly can’t call it a lazy film, or a lazy performance. Though Benigni is god awful, his huge physical energy suggests someone who is genuinely trying. The Academy Awards don’t hurt it, either; the film has at least some claim to playing a small part in film history, if nothing else. It’s just so hard to think of a film as ill-advised as Life Is Beautiful. Even if it has good intentions, there’s no getting round the fact that it is a HOLOCAUST DRAMA-CUM-SLAPSTICK COMEDY. That sums it up pretty well. It’s a film that is fundamentally wrong. Like Jerry Lewis’ aforementioned The Day The Clown Cried, Life Is Beautiful should have been locked in a vault, only told as an urban legend in hushed whispers by film producers:

“Have you heard about what Roberto Benigni’s done? He’s only gone and made a slapstick comedy set in a concentration camp!” “Well, that’s his career finished.”

Despite its Academy Award success suggesting otherwise, Life Is Beautiful is a truly terrible film, reducing the Holocaust to some dull romance, unfunny slapstick, and a few token scenes of real horror. There’s a reason Sophie’s Choice didn’t feature pratfalls. There’s a reason Schindler’s List didn’t have a pie fight. There’s a reason Hitler’s trousers never fell down in Downfall (despite the title being perfect for the gag). Roberto Benigni wanted pratfalls. Roberto Benigni wanted ‘funny’ goose stepping. Roberto Benigni wanted whacky antics. That’s the reason, above all else, that Life Is Beautiful is one of the worst films ever made.

Don’t despair though, dear readers. There is a happy ending to this story. Five years after Life Is Beautiful’s worldwide success, Roberto Benigni released his own adaptation of Pinocchio. Despite rave reviews in his native Italy, the film was despised overseas; pitiful box office earnings, the rare 0% Rotten Tomatoes rating, and the Razzie Award for Worst Actor for Benigni’s performance. He’s only appeared in three films since then.

And thus, the karmic balance was restored.

Life Is Beautiful 6

By Harry J. Ford


Follow Ford On Film on twitter: @Ford_On_Film

Like Ford On Film on facebook:



  1. Fuck Haters

    Why the fuck are you such a hater. This film has a strong message and you ignorant piece of shit failed to understand it as all you can do is hate. Why so pessimistic? You’re mad that he is positive and happy. You should stop criticizing Roberto Benigni as he is more successful in his life than you’ll ever be

  2. Butthurt people are the stupidest people

    Someone’s Jewish here.. lmao. get over it. It was a fantastic film

  3. Calm Ur Tits

    Dude… Calm the fuck down. The part about Benigni being “annoying” because he won an award is so unbelievably stupid. Would you feel better if he was sad for getting an award for a film that portrayed an average family’s struggle to maintain composure in the Holocaust?

  4. Just a Kid With a Few Thoughts

    I’m sorry, but I think you missed the entire point of the movie. The movie isn’t called “Exact Replica of the Holocaust and Mockery of It”, it’s called “Life Is Beautiful”. The movie wasn’t made to represent accurate information at a concentration camp. The movie isn’t a “Holocaust” film. It is made to teach people to make the most of their life. You seem to disagree, but the first part of the movie is crucial to understand who Benigni’s character Guido is. I didn’t find it annoying or irritating, I found it enlightening to see how much the character makes the most of his life, with no regrets. He lives his life not with an irrational optimism, but a joy and gratitude that he illustrates through his desire to make the most out of every day. The reason this is so intensely focused on is to give background as to why he creates such an intricate lie at the camp. His son has only ever witnessed his father in high spirits, and Guido must keep it up not to make a mockery of the Holocaust, but to protect his son. The film ends with Joshua saying “this is the sacrifice that my father made for me”, not his death, but the facade he put on after the tiring and excruciating days of labour, in order to protect his son from the hopelessness. I think Benigni played a perfect role, and his reaction to the Oscar only shows his humility and natural excitement of life. This role is Benigni, there’s no way around it.
    I think you missed the entire point of the film. I understand your criticisms but I don’t think you grasped the entire point of the film. It’s nothing close to trying to be a Holocaust film, it is a film about life, just set in the time period.

    • Very well written response. I agree that there are definitely parts of this article that are hyperbolas or deliberately OTT. However, as you mentioned, I disagree with you about the first half. To me, it felt far too long and didn’t make me sympathetic to Guido at all. I think fundamentally while I agree with you that the film is a fairy tale and a fable about positivity, I can’t abide a film pushing such a soapy message and setting it during the Holocaust, in the same way I find a film like Remember Me (Robert Pattison romance that ends on 9/11) distasteful.

  5. maul

    You aren’t too cynical. This film is stupid as hell. Garbage.

  6. Thank you for writing about how bad Life is Beautiful is, you say everything I feel about it. It’s so bad and offensive I can’t believe anyone likes it.

  7. c jones

    Your instincts about the film are entirely correct.

    The death camps were a kind of comedy – but the joke was on the Jews (the only ones laughing were the likes of Irma Grese). Ultimately, you can’t put the horror into words. At the zero level, it was meaningless to the point of absurdity (think of the story of Job in the Bible).

    The true grotesqueness of this film is to suggest that, against all odds, the human spirit can somehow overcome anything. The true horror was that people were stripped of any dignity to make any kind of choice (on the most basic level – even to feel or think about what they wanted). Viktor Frankl, in his autobiography about Auschwitz made an interesting observation that often the first to die, were those who dreamed or hoped they would survive.

    People should read what Mel Brooks had to say about it in an interview with Spiegel:

    “SPIEGEL: But the film has deeply moved a lot of people.

    Mel Brooks: I always asked myself: Tell me, Roberto, are you nuts? You didn’t lose any relatives in the Holocaust, you’re not even Jewish. You really don’t understand what it’s all about. The Americans were incredibly thrilled to discover from him that it wasn’t all that bad in the concentration camps after all. And that’s why they immediately pressed an Oscar into his hand. ”

    – 2016. Spiegel Interview with Mel Brooks, “With Comedy, We Can Rob Hitler of his Posthumous Power”,

  8. Humanity

    Wow, you suck ass so much. Did you even see the movie? Did you understand it? I don’t think so. Go back to your nazi world.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s

%d bloggers like this: